Sources & credits · 23 min

how China's first cities and early states rose and fell, from Liangzhu's water city to stone-walled

How did cities rise in what is now China before writing or named rulers—and why did they end at different times? This episode follows Liangzhu, the water-managed rice city of the lower Yangtze, and compares it with stone-walled Shimao and other regional centres, revealing how food, labour, jade, ritual and inherited power organised large communities without a single path to later dynasties.

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Visual credits

92 sources

Sources and credits for imagery used in this film, including material incorporated into explanatory animations.

  • Liangzhu Museum

    Siyuwj

    Resized for the film.

  • The Jade Cong King

    Siyuwj

    Resized and reframed for the film.

  • Liangzhu jade yue axe

    Gary Lee Todd

    Resized for the film.

  • Liangzhu jade cong

    Gary Lee Todd

    Resized for the film.

  • Liangzhu pottery

    Gary Lee Todd

    Resized for the film.

  • Round jade plate with dragon-head motif, Yaoshan tomb 2

    猫猫的日记本

    Resized for the film.

  • Stone friezes at Shimao

    Bilaterian

    Existing crop by पाटलिपुत्र of Bilaterian's photograph of Karl Taube and Li Xinwei at Shimao; resized for the film.

  • Longshan eggshell pottery cup, Victoria and Albert Museum

    Ismoon

    Resized for the film.

  • Stone wall at Shimao

    Bilaterian; modifications by पाटलिपुत्र

    Existing crop and removal of a blue towel by पाटलिपुत्र from Bilaterian's photograph of Karl Taube and Li Xinwei at Shimao; resized for the film.

  • Liangzhu pottery dou

    Gary Lee Todd

    Resized for the film.

  • Liangzhu high dams

    Siyuwj

    Resized for the film.

  • Carved stone figure at Shimao

    Bilaterian; modifications by पाटलिपुत्र

    Existing crop and contrast adjustment by पाटलिपुत्र of Bilaterian's photograph of Karl Taube and Li Xinwei at Shimao; resized for the film.

  • Trident-shaped jade, Fanshan tomb 14

    Siyuwj

    Resized for the film.

  • Taosi pottery plate with dragon design

    Furius

    Resized for the film.

  • Jade cong from Yaoshan tomb 12

    Siyuwj

    Resized for the film.

  • Plan of Shimao, about 2300–1800 BCE

    पाटलिपुत्र

    Resized for the film.

  • Jade yue axe from Yaoshan tomb 2

    猫猫的日记本

    Resized for the film.

  • Stone chime from Taosi

    Furius

    Resized for the film.

  • Liangzhu high dams

    Siyuwj

    Resized for the film.

  • Pottery jar with incised symbols, Liangzhu Museum

    Yumeto

    Resized for the film.

  • Eggshell pottery cup from Yinjiacheng, Shandong University Museum

    Windmemories

    Resized for the film.

  • Shimao citadel wall structure

    Bilaterian; modifications by पाटलिपुत्र

    Further crop by पाटलिपुत्र of the Shimao wall photograph; the parent includes removal of a blue towel by पाटलिपुत्र. Resized for the film.

  • Human figure on a jade comb back, Fanshan tomb 15

    Siyuwj

    Existing detail crop of the jade comb photograph; resized for the film.

  • Wooden spear and clogs, Liangzhu Museum

    猫猫的日记本

    Cropped to the wooden clog from Bianjiashan; resized for the film.

  • Incised signs on Liangzhu pottery

    Siyuwj

    Resized for the film.

  • Jiangnan Water Town Museum display

    Siyuwj

    Resized for the film.

  • Jade bi disc from Fanshan tomb 14

    猫猫的日记本

    Resized for the film.

  • Pottery figurines from Shijiahe

    Furius

    Resized for the film.

  • Ritual object (cong)

    The Metropolitan Museum of Art

    Resized for the film; in the comparison composite, the object was cropped, isolated from its studio background, gently darkened and placed on a dark ground.

    The Metropolitan Museum of Art, Purchase, Sir Joseph Hotung Gift, 2004.

  • Model of Liangzhu Ancient City

    Siyuwj

    Cropped to the museum model; resized for the film.

  • Ceremonial Disc (Bi)

    The Cleveland Museum of Art

    Resized for the film.

    The Cleveland Museum of Art, Worcester R. Warner Collection.

  • Eleven-tier jade cong with masks

    National Museum of Asian Art, Smithsonian Institution

    Resized for the film.

    National Museum of Asian Art, Smithsonian Institution, Gift of Charles Lang Freer.

  • One-tier jade cong with masks

    National Museum of Asian Art, Smithsonian Institution

    Resized for the film.

    National Museum of Asian Art, Smithsonian Institution, Gift of Charles Lang Freer.

  • Jade cong from Fanshan tomb 17

    猫猫的日记本

    Resized for the film.

  • Jade yazhang blades excavated at Shimao

    Siyuwj

    Resized for the film.

  • Liangzhu high dams

    Siyuwj

    Resized for the film.

  • Excavation of the proposed observatory at Taosi

    Gary Todd

    Resized for the film.

  • Liangzhu jade yue axe with handle decorations

    Siyuwj

    Resized for the film; a second view is cropped to the axe blade.

  • Qiuwu archaeological site

    Siyuwj

    Resized for the film.

  • Taosi-culture jade yue axe

    Siyuwj

    Resized for the film.

  • Liangzhu archaeological site

    Siyuwj

    Resized for the film.

  • Liangzhu archaeological site

    Siyuwj

    Resized for the film.

  • Liangzhu archaeological site

    Siyuwj

    Resized for the film.

  • Liangzhu Ancient City site

    Siyuwj

    Resized for the film.

  • Jade comb back from Fanshan tomb 15

    Siyuwj

    Resized for the film.

  • Pottery figurines from Shijiahe

    Furius

    Resized for the film.

  • Tangshan levee site

    Siyuwj

    Cropped to the hill and pond at the levee site; resized for the film.

  • Shimao East Gate, reconstruction from outside

    पाटलिपुत्र

    Cropped to remove the title; resized for the film.

  • Liangzhu potsherd with incised signs

    Siyuwj

    Resized for the film.

  • Liangzhu jade bi disc

    Gary Lee Todd

    Resized for the film.

  • Chengziya city wall

    Rolfmueller

    Resized for the film.

  • Charred rice grains from Mojiaoshan — Tanaka et al. (2020), Figure 2a

    K. Tanaka, C. Zhao, N. Wang, S. Kubota, M. Kanehara, N. Kamijo, R. Ishikawa, H. Tasaki, M. Kanehara, B. Liu, M. Chen, S. Nakamura, T. Udatsu and C. Wang

    Cropped to panel a and resized.

  • Shijiahe red clay cup from Wujiafentou — Xie et al. (2024), Figure 5f

    Z. Xie, Y. Hu, S. Shan, Q.-Q. Lü, F. Yuan and T. Li

    Cropped to panel f and resized.

  • Flood clay over Liangzhu layers, Zhongjiagang — Liu et al. (2017), Supplementary Figure S6B

    B. Liu, N. Wang, M. Chen, X. Wu, D. Mo, J. Liu, S. Xu and Y. Zhuang

    Extracted from the supplementary PDF, cropped to the flood-deposit photograph and resized.

  • Jade-inlaid lacquered cup from Fanshan tomb 12, museum replica

    猫猫的日记本

    Cropped to the cup and resized.

  • Yaoshan altar display

    Siyuwj

    Cropped to the platform display and resized.

  • Yu the Great on a Han-period stone relief

    三猎

    Resized for the film.

  • Zhou-period stone chimes, Shandong Provincial Museum

    Gary Todd

    Cropped to the chimes and resized.

  • Ceremonial Tube (Cong), 1915.630

    The Cleveland Museum of Art

    Resized for the film; in the comparison composite, the object was cropped, isolated from its studio background, gently darkened and placed on a dark ground.

    The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust.

  • Grass-wrapped clay blocks in Laohuling dam — Zhuang et al. (2024), Figure 3B, after Lang et al. (2021)

    J. F. Lang, Q. G. Wang and N. Y. Wang; reproduced in Yijie Zhuang, Junping Yuan, Shuaiwei Liang, Minghui Chen and Ningyuan Wang (2024)

    Extracted from the article PDF, cropped to panel B and resized.

  • Shimao East Gate excavation — Jaang et al. (2018), Figure 4a

    Li Jaang, Zhouyong Sun, Jing Shao and Min Li

    Extracted from the article PDF, cropped to the aerial excavation photograph and resized.

  • Replica grass-wrapped clay blocks — Zhuang et al. (2024), Figure 6

    Yijie Zhuang, Junping Yuan, Shuaiwei Liang, Minghui Chen and Ningyuan Wang

    Extracted from the article PDF, cropped to the interlocked and running block arrangements and resized.

  • Huangchengtai terraces at Shimao — Rawson (2026), Figure 2

    Shaanxi Academy of Archaeology; reproduced in Jessica Rawson (2026)

    Extracted from the article PDF, cropped to the terrace photograph and resized.

  • Wooden spades from Zhongjiagang and Bianjiashan — Zhuang et al. (2024), Figure 4

    Yijie Zhuang, Junping Yuan, Shuaiwei Liang, Minghui Chen and Ningyuan Wang

    Extracted from the article PDF, cropped to the two wooden spades and resized.

  • Wooden clog from Bianjiashan, Liangzhu Museum

    猫猫的日记本

    Cropped from the photograph of the wooden spear and clogs; resized.

  • Liangzhu Museum model of the walled city

    Siyuwj

    Cropped to the museum model; resized.

  • Tangshan levee site: hill and pond

    Siyuwj

    Cropped to the hill and pond; resized.

  • Jade yue blade from Fanshan tomb 12

    Siyuwj

    Cropped to the axe blade from the photograph with handle decorations; resized.

  • Charred rice grains from Mojiaoshan — Tanaka et al. (2020), Figure 2a

    K. Tanaka, C. Zhao, N. Wang, S. Kubota, M. Kanehara, N. Kamijo, R. Ishikawa, H. Tasaki, M. Kanehara, B. Liu, M. Chen, S. Nakamura, T. Udatsu and C. Wang

    Cropped to panel a and resized.

  • Shijiahe red clay cup from Wujiafentou — Xie et al. (2024), Figure 5f

    Z. Xie, Y. Hu, S. Shan, Q.-Q. Lü, F. Yuan and T. Li

    Cropped to panel f and resized.

  • Flood clay over Liangzhu layers, Zhongjiagang — Liu et al. (2017), Supplementary Figure S6B

    B. Liu, N. Wang, M. Chen, X. Wu, D. Mo, J. Liu, S. Xu and Y. Zhuang

    Extracted from the supplementary PDF, cropped to the flood-deposit photograph and resized.

  • Jade-inlaid lacquered cup from Fanshan tomb 12, museum replica

    猫猫的日记本

    Cropped to the cup and resized.

  • Yaoshan altar display

    Siyuwj

    Cropped to the platform display and resized.

  • Zhou-period stone chimes, Shandong Provincial Museum

    Gary Todd

    Cropped to the chimes and resized.

  • Shimao East Gate, reconstruction from outside

    पाटलिपुत्र

    Cropped to remove the title; resized.

  • Grass-wrapped clay blocks in Laohuling dam — Zhuang et al. (2024), Figure 3B, after Lang et al. (2021)

    J. F. Lang, Q. G. Wang and N. Y. Wang; reproduced in Yijie Zhuang, Junping Yuan, Shuaiwei Liang, Minghui Chen and Ningyuan Wang (2024)

    Extracted from the article PDF, cropped to panel B and resized.

  • Shimao East Gate excavation — Jaang et al. (2018), Figure 4a

    Li Jaang, Zhouyong Sun, Jing Shao and Min Li

    Extracted from the article PDF, cropped to the aerial excavation photograph and resized.

  • Replica grass-wrapped clay blocks — Zhuang et al. (2024), Figure 6

    Yijie Zhuang, Junping Yuan, Shuaiwei Liang, Minghui Chen and Ningyuan Wang

    Extracted from the article PDF, cropped to the interlocked and running block arrangements and resized.

  • Huangchengtai terraces at Shimao — Rawson (2026), Figure 2

    Shaanxi Academy of Archaeology; reproduced in Jessica Rawson (2026)

    Extracted from the article PDF, cropped to the terrace photograph and resized.

  • Wooden spades from Zhongjiagang and Bianjiashan — Zhuang et al. (2024), Figure 4

    Yijie Zhuang, Junping Yuan, Shuaiwei Liang, Minghui Chen and Ningyuan Wang

    Extracted from the article PDF, cropped to the two wooden spades and resized.

  • Uruk archaeological site at Warka

    SAC Andy Holmes (RAF)/MOD

    Existing crop of the MOD photograph; resized for the film.

    Photo: SAC Andy Holmes (RAF)/MOD

  • Banpo basin with human-face and fish designs

    Gary Lee Todd

    Resized for the film.

  • Ancient city wall at Chengtoushan

    Sparktour

    Resized for the film.

  • Natural Earth rivers and lake centerlines, 1:10 million

    Natural Earth contributors

    Selected river geometry projected, styled and animated in original maps.

    Made with Natural Earth. Free vector and raster map data @ naturalearthdata.com.

  • Natural Earth lakes, 1:50 million

    Natural Earth contributors

    Selected lake polygons projected, styled and animated; modern reservoirs omitted where documented by the map implementation.

    Made with Natural Earth. Free vector and raster map data @ naturalearthdata.com.

  • Natural Earth land, 1:50 million

    Natural Earth contributors

    Land polygons projected, recoloured and animated in original maps.

    Made with Natural Earth. Free vector and raster map data @ naturalearthdata.com.

  • Natural Earth rivers and lake centerlines, 1:50 million

    Natural Earth contributors

    Selected river geometry projected, styled and animated in the wide map views.

    Made with Natural Earth. Free vector and raster map data @ naturalearthdata.com.

  • Earth normal map

    Solar System Scope

    Converted into relief shading, recoloured, projected and animated in the episode's maps.

    Textures by Solar System Scope (solarsystemscope.com), CC BY 4.0.

  • Earth day map

    Solar System Scope

    Used to derive the forested-hill and open-plain treatment in the lower-Yangtze relief map; restyled rather than displayed as satellite imagery.

    Textures by Solar System Scope (solarsystemscope.com), CC BY 4.0.

  • Shennong Cave SN17 isotope record — Zhang et al. (2021), Data file S1

    Haiwei Zhang, Hai Cheng, Ashish Sinha, Christoph Spötl, Yanjun Cai, Bin Liu, Gayatri Kathayat, Hanying Li, Ye Tian, Youwei Li, Jingyao Zhao, Lijuan Sha, Jiayu Lu, Binglin Meng, Xiaowen Niu, Xiyu Dong, Zeyuan Liang, Baoyun Zong, Youfeng Ning, Jianghu Lan and R. Lawrence Edwards

    Original chart of SN17 COPRA ages and carbon-isotope values from the isotope-records sheet, restricted to 3000–1800 BCE. Ages converted from years BP to BCE; vertical axis inverted so wetter conditions appear higher; wet interval highlighted.

  • Shimao sample and kinship tables — Chen et al. (2025), Supplementary Tables S1 and S3

    Zehui Chen, Jacob D. Gardner, Zhouyong Sun, E. Andrew Bennett, Qian Han, Xuesong Pei, Jing Shao, Han Shi, Wenjun Wang, Jiayang Xue, Fan Bai, Xiangming Dai, Nu He, Xiaoning Guo, Nan Di, Xiaowei Mao, Tianxiang Liu, Peng Cao, Feng Liu, Qingyan Dai, Xiaotian Feng, Wanjing Ping, Xiaohong Wu, Lizhao Zhang, Liang Chen and Qiaomei Fu

    Sample counts and kinship facts redrawn as original silhouette charts and a simplified pedigree; main-text counts govern the combined elite-burial comparison.

  • Ancient DNA from Shimao city records kinship practices in Neolithic China — Chen et al. (2025), Figure 3

    Zehui Chen, Jacob D. Gardner, Zhouyong Sun, E. Andrew Bennett, Qian Han, Xuesong Pei, Jing Shao, Han Shi, Wenjun Wang, Jiayang Xue, Fan Bai, Xiangming Dai, Nu He, Xiaoning Guo, Nan Di, Xiaowei Mao, Tianxiang Liu, Peng Cao, Feng Liu, Qingyan Dai, Xiaotian Feng, Wanjing Ping, Xiaohong Wu, Lizhao Zhang, Liang Chen and Qiaomei Fu

    Kinship relationships from the Zhaishan pedigree redrawn as a simplified original four-generation diagram; no original figure pixels reproduced.

Stock footage

18 items

Licensed stock footage used in this film, with each item’s creator and source page.

Research references

Selected sources from the film’s research and the publications behind its figures.

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Music

  • Traditional China
    LukePN · Envato Elements
  • Dark Sacred Desert Vocals
    LukePN · Envato Elements
  • Guzheng Meditation
    VensAdams · Envato Elements
  • Tibetan River
    MatthewPablo · Envato Elements
  • Asian Atmospheric Background Drone
    Luiza_D · Envato Elements
  • Lament
    ilovemedia-es · Envato Elements
  • Steppe
    AlexanderRufire · Envato Elements
  • Morning by the River
    Purpleplanet · Envato Elements
  • Chinese Inspiration
    LukePN · Envato Elements
Footage and image usage

Credits and usage times retained from the published edition or its production credit record. Where present, times identify visual appearances, not documentary chapters. Source and licence corrections are listed in the visual credits above.

  • 17635106560 — 14:37-14:46, 14:46-14:48
  • AslinShen — 19:01-19:08, 22:22-22:28
  • B. Liu, N. Wang, M. Chen, X. Wu, D. Mo, J. Liu, S. Xu and Y. Zhuang — 12:42-12:48
  • bilanol — 2:44-2:52
  • Bilaterian — 16:00-16:06
  • Bilaterian; modifications by पाटलिपुत्र — 15:45-15:49, 16:06-16:08, 18:39-18:50
  • BlackBoxGuild — 15:02-15:13, 18:29-18:39
  • Furius — 19:15-19:17, 19:17-19:18, 20:23-20:24, 20:24-20:26
  • Gary Lee Todd — 8:03-8:06, 9:20-9:25, 9:46-9:50, 12:14-12:24, 17:41-17:53, 23:07-23:12
  • Gary Todd — 19:28-19:44, 23:03-23:07
  • Haiwei Zhang, Hai Cheng, Ashish Sinha, Christoph Spötl, Yanjun Cai, Bin Liu, Gayatri Kathayat, Hanying Li, Ye Tian, Youwei Li, Jingyao Zhao, Lijuan Sha, Jiayu Lu, Binglin Meng, Xiaowen Niu, Xiyu Dong, Zeyuan Liang, Baoyun Zong, Youfeng Ning, Jianghu Lan and R. Lawrence Edwards — 13:05-13:13
  • Ismoon — 20:45-20:56
  • J. F. Lang, Q. G. Wang and N. Y. Wang; reproduced in Yijie Zhuang, Junping Yuan, Shuaiwei Liang, Minghui Chen and Ningyuan Wang (2024) — 3:33-3:38
  • K. Tanaka, C. Zhao, N. Wang, S. Kubota, M. Kanehara, N. Kamijo, R. Ishikawa, H. Tasaki, M. Kanehara, B. Liu, M. Chen, S. Nakamura, T. Udatsu and C. Wang — 8:20-8:29
  • kegfire — 12:56-13:05
  • Li Jaang, Zhouyong Sun, Jing Shao and Min Li — 16:56-16:58
  • ModeonStock — 1:58-2:04
  • National Museum of Asian Art, Smithsonian Institution — 9:31-9:39, 10:25-10:29
  • Natural Earth contributors — 0:06-0:11, 0:06-0:08, 1:39-1:47, 1:47-1:58, 14:28-14:37, 18:50-19:01, 20:02-20:09, 20:36-20:41, 21:09-21:29, 21:51-21:58, 23:12-23:20, 23:44-23:57
  • Phile-Rain — 13:13-13:17
  • photovs — 2:52-2:55, 12:48-12:56, 13:29-13:34
  • Rolfmueller — 20:41-20:45
  • SAC Andy Holmes (RAF)/MOD — 5:52-5:56
  • Shaanxi Academy of Archaeology; reproduced in Jessica Rawson (2026) — 15:20-15:23
  • Siyuwj — 0:36-0:41, 0:41-0:49, 2:25-2:29, 3:12-3:15, 3:31-3:33, 3:52-3:55, 3:55-4:03, 4:10-4:14, 5:35-5:44, 5:56-6:02, 6:37-6:42, 7:30-7:42, 10:08-10:11, 10:11-10:15, 10:15-10:20, 10:42-10:47, 10:47-10:49, 10:49-10:52, 10:52-10:56, 11:04-11:07, 11:24-11:32, 11:32-11:34, 15:53-16:00, 19:14-19:15, 21:29-21:36, 23:30-23:44
  • Solar System Scope — 0:06-0:11, 1:39-1:47, 1:47-1:58, 14:28-14:37, 18:50-19:01, 20:02-20:09, 20:36-20:41, 21:09-21:29, 21:51-21:58, 23:12-23:20, 23:44-23:57
  • Sparktour — 20:09-20:14
  • studiostocks — 14:48-14:52
  • The Cleveland Museum of Art — 9:13-9:20, 22:55-23:01, 23:01-23:03
  • The Metropolitan Museum of Art — 9:25-9:31, 23:01-23:03
  • Windmemories — 21:00-21:09
  • yang19890706 — 2:04-2:08, 2:29-2:39, 2:39-2:44, 2:55-3:02, 5:25-5:33, 10:29-10:42, 22:28-22:36, 22:36-22:47, 22:47-22:55
  • Yijie Zhuang, Junping Yuan, Shuaiwei Liang, Minghui Chen and Ningyuan Wang — 3:48-3:50, 6:42-6:49
  • Yumeto — 11:34-11:42
  • Yuriga55 — 2:08-2:12, 7:25-7:27
  • Z. Xie, Y. Hu, S. Shan, Q.-Q. Lü, F. Yuan and T. Li — 20:26-20:29
  • Zehui Chen, Jacob D. Gardner, Zhouyong Sun, E. Andrew Bennett, Qian Han, Xuesong Pei, Jing Shao, Han Shi, Wenjun Wang, Jiayang Xue, Fan Bai, Xiangming Dai, Nu He, Xiaoning Guo, Nan Di, Xiaowei Mao, Tianxiang Liu, Peng Cao, Feng Liu, Qingyan Dai, Xiaotian Feng, Wanjing Ping, Xiaohong Wu, Lizhao Zhang, Liang Chen and Qiaomei Fu — 17:13-17:41, 17:53-18:02, 18:02-18:09
  • पाटलिपुत्र — 15:36-15:45, 16:43-16:51
  • 三猎 — 22:06-22:22
  • 猫猫的日记本 — 8:06-8:08, 8:12-8:16, 9:39-9:46, 9:50-9:59, 10:20-10:25, 11:18-11:24

How this film was made

Created and editorially directed by Anders Lunde using a custom production system developed over six months. AI assists research, drafting, programming, and visual production; I review and edit the material and make the final editorial decisions. Narration uses text-to-speech. Visuals combine AI-generated reconstructions, maps and animations, licensed footage, and credited museum and archaeological imagery.

Generated reconstructions illustrate historical and archaeological interpretations. They are distinct from photographs of real sites, objects, and finds.

More about the creator and production →